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59th IVC Opera | Oratorio

2 – 10 October 2026, ‘s-Hertogenbosch
Join the next generation of vocal excellence in ’s-Hertogenbosch!

The International Vocal Competition (IVC) ’s-Hertogenbosch invites classical singers from all over the world to take part in the Opera | Oratorio Competition 2026 — an exceptional platform for artistic growth, inspiration, and international exposure. 

Singers can now submit their application for the Preliminary Selections of the IVC Opera | Oratorio 2026. 

Apply Now!

About Opera | Oratorio

For more than a week, the IVC transforms the city of ’s-Hertogenbosch into a vibrant meeting place for the world’s most promising voices. After auditions across Europe, Asia, and the USA, forty outstanding singers will be selected to participate in the Main Rounds and Finals at Theater aan de Parade, performing with the renowned symphony orchestra Philzuid, conducted by Grammy Award-winning Karen Kamensek.

The competition offers far more than prizes. Participants receive personal feedback from an international jury of leading professionals — under the distinguished leadership of Sir David Pountney — take part in masterclasses and workshops, and build lifelong artistic connections. Every singer performs at least twice — in both opera and oratorio repertoire — ensuring a rich and rewarding experience for all that includes mentorship and career
guidance.

In addition, Anne-Maartje Lemereis, Composer Laureate of the Netherlands, is writing the new commissioned work ‘Feathers’ especially for this edition of the competition. This world premiere will be performed by all selected singers in the main rounds, underscoring the IVC’s commitment to fostering collaboration between composers and performers and to showcasing contemporary Dutch music on an international stage.

The IVC values innovation, excellence, diversity, and well-being. Collaborations with fashion academies and designers celebrate the dialogue between music and style. The competition actively supports artists from underrepresented regions, offers travel grants and host-family accommodation, and provides mental-health and career-coaching resources.

With a total prize fund of €50,000, concert engagements, mentorship opportunities, and international exposure through OperaVision’s global livestream, the IVC Opera | Oratorio Competition is a launchpad for the next generation of vocal talent.

Applications open: 1 december

Main Rounds: Friday, 2 October – Monday, 5 October 2026
Grand Finale: Saturday, 10 October 2026

Preliminary Selections – Live Auditions

  • 17 February: Academy of Music, Łódź, Poland
  • 31 March: Colombo, Sri Lanka (venue tbd)
  • 18–19 April: Staatsoper Unter den Linden, Berlin, Germany
  • 25–26 April: Amsterdam University of the Arts, Netherlands
  • 27 April: Opéra Bastille, Paris, France
  • 10 May: Mozarteum University, Salzburg, Austria
  • 17 May: Guildhall School of Music & Drama, London, United Kingdom
  • 24 May: Fondazione Mascarade Opera, Florence, Italy
  • 20–21 June: Theater aan de Parade, ’s-Hertogenbosch, Netherlands
  • 30 June: Carl Fischer Building, New York City, USA

 

prizes

The 59th International Opera | Oratorio Competition offers €50,000 in prize money as well as engagement prizes. A complete list of engagement prizes will be announced on this website at a later date. 

Main Prizes

  • Grand Prix ‘s-Hertogenbosch (1st Prize): €15,000
  • Toonkunst Prize: €7,500
    Offered by the Maatschappij tot Bevordering der Toonkunst (Society for the Advancement of Music)
  • Staetshuys Fund Prize: €4,000
    Offered by Staetshuys Fonds, Jan Meulendijks and Bart Schuil

Special Prizes

  • Wagner Prize: €3,000 cash prize, plus €2,000 scholarship prize. Awarded by the Richard Wagner Foundation Netherlands, this prize supports the winner’s continued artistic and professional development.
  • Young Talent Prize: €3,500
    Awarded to a singer under the age of 25. Offered by Staetshuys Fund, Jan Meulendijks and Bart Schuil
  • Marianne Blok Prize: €3,500
    For the most musically gifted coloratura soprano.
  • Bierens Foundation of the Arts Operetta Prize: €3,500
    For best performance of operetta repertoire during the competition.
  • Van Amelsvoort Prize: €2,500
    For best performance of the compulsory piece by Anne-Maartje Lemereis
  • ANED Fund Audience Prize: €1,500
  • Friends of the IVC Prize: €1,500
  • Press Prize: €1,000
  • Junior Jury Prize: €1,000

Engagement Prizes

To be announced at a later date

Competition Schedule

Wednesday, 30 September 2026:
Arrival in ’s-Hertogenbosch, the Netherlands

Rehearsals
Thursday, 1 October 2026:
Participants rehearse their competition repertoire with the official IVC pianists:
Fran Hills, Ian Tindale, and Markus Zugehör

Main Rounds
Friday, 2 October – Monday, 5 October 2026

All participants perform two different programmes with piano accompaniment before the
international jury.

Career & Development Week
Tuesday, 6 October – Friday, 9 October 2026

For participants not selected for the Finals:

  • Jury feedback and consultation sessions
  • Masterclasses led by jury members
  • Career development and coaching sessions
  • IVC opera scenes programme
  • Access All Arias – a programme with the international conducting network ‘And other Duties’.
  • Concert opportunities


For finalists:
Rehearsals with Philzuid Symphony Orchestra conducted by Karen Kamensek

Grand Finale
Saturday, 10 October 2026
Grand Finale with Philzuid Symphony Orchestra
Conductor: Karen Kamensek

Optional Media Appearance
Sunday, 11 October 2026
Live radio or television performance featuring the Grand Prix winner.

Criteria

The Competition is open to aspiring professional singers of all nationalities who have completed their formal vocal studies, are in their final year of study, or have an equivalent level of training, and who aim to pursue a professional singing career.

Maximum age: 34 years
Eligible singers must be born on or after 11 October 1991.
Participants must be at least 18 years old at the time of the competition.

Entry Fee
Preliminary Selections: €50
Participants may bring their own accompanist to the preliminary selections.
If this is not possible, an official IVC pianist can be arranged for an additional fee of €30.

Main Competition (upon selection): €175

During the main competition, accommodation with host families is provided, and finalists may claim reimbursement of travel expenses up to a maximum of €500, upon submission of their travel documents.

Participants can pay the entry fee through the application portal on the IVC website. The fee includes 21% VAT and all transaction charges.

Accepted payment methods: Visa, MasterCard, American Express, PayPal, Bancontact, iDEAL, SOFORT Banking, KBC/CBC Banking, and Belfius Pay.

The entry fee is non-refundable for participants who withdraw from the Competition after their application has been accepted.

claron sings...!

Zaterdag 27 september | 20.15 uur

De internationaal gevierde sopraan én voormalig IVC-prijswinnares Claron McFadden keert terug naar Den Bosch voor een exclusief recital, samen met pianist Hans Eijsackers. In dit speciaal voor de IVC samengestelde programma zorgt McFadden, met haar heldere stem, muzikale sensualiteit en nuchtere uitstraling, voor een onvergetelijke avond. Eijsackers, al twintig jaar een vertrouwd gezicht binnen de IVC, begeleidt haar met de klasse die we van hem kennen. Een muzikaal hoogtepunt binnen Theatre in Song 2025.

 

“Een soubrette met een ongekend talent op het snijvlak van klassiek en jazz, zoals bleek uit haar vertolking van ‘Summertime’ uit Porgy and Bess – een herinnering aan haar Amerikaanse jeugd als zangeres én trombonist in de Methodistenkerk.”

— Katja Reichenfeld, NRC, 5 september 1988 

SONGFEST

Vrijdag 26 september | 20.15 uur

Andrew Watts, algemeen en artistiek directeur IVC presenteert met trots het allereerste IVC Songfest – een sfeervolle avond vol zang, muziek en plezier, waarin de menselijke stem en de kracht van verbinding centraal staan. Tijdens dit unieke evenement krijgen ervaren zangliefhebbers – van solisten en duo’s tot koren – de kans om te schitteren op het podium van de Pleinzaal in het Theater aan de Parade.

Begeleid door pianist Ben Martin Weijand, delen zij hun passie met het publiek: niet als professionals, maar als mensen voor wie zingen een onmisbaar deel van het leven is.

Aanmelden voor deelname kan via info@ivc.nu.

Repertoire Guidelines

The 59th International Vocal Competition Opera | Oratorio offers participants the opportunity to perform a wide spectrum of repertoire.

Preliminary Selections 

The competition applies the following three style periods:

  • Style Period I: until 1810
  • Style Period II: 1810 – 1919
  • Style Period III: 1920 to the present day
  • Participants must present one opera aria and one oratorio aria from two different style periods (e.g. I/III or II/III or I/II) 
  • The two arias must be in different languages 
  • Total duration: minimum 8 minutes, maximum 11 minutes 

Main Rounds

Each candidate performs two different programmes with piano accompaniment in the Main Rounds. 

Each Main Round programme must include: 

  • Two to four arias, depending on total duration. 
  • Works from at least two different style periods. 
  • A total of at least three different languages across both programmes, with a minimum of two different languages in each programme. 
  • At least two opera arias and two oratorio arias in total across both programmes. 
  • A total duration of 15 to 18 minutes per programme. 

applications

Singers wishing to enter the Competition must take part in the Preliminary Selections, either through live auditions or by submitting an online video via YouTube.

Preliminary Selections – Live Auditions 2026

  • 17 February: Academy of Music, Łódź, Poland. Application deadline: 22 January. 
  • 31 March: Colombo, Sri Lanka (venue tbd). Deadline: 17 March. 
  • 18–19 April: Staatsoper Unter den Linden, Berlin, Germany. Deadline: 19 March. 
  • 25–26 April: Amsterdam University of the Arts, Netherlands. Deadline: 26 March. 
  • 27 April: Opéra Bastille, Paris, France. Deadline: 8 April. 
  • 10 May: Mozarteum University, Salzburg, Austria. Deadline: 22 April.
  • 17 May: Guildhall School of Music & Drama, London, United Kingdom. Deadline: 28 April. 
  • 24 May: Fondazione Mascarade Opera, Florence, Italy. Deadline: 30 April. 
  • 20–21 June: Theater aan de Parade, ’s-Hertogenbosch, Netherlands. Deadline: 21 May. 
  • 30 June: Carl Fischer Building, New York City, USA. Deadline: 9 June. 


Preliminary Selections – Online Auditions 2026

There will be two separate rounds of video jury review, each with its own submission deadline:

YouTube Group 1: 4 March 2026 deadline
YouTube Group 2: 23 June 2026 deadline

Singers residing in the Netherlands or Belgium are not eligible to participate in the YouTube Preliminary Selections, unless otherwise authorised by the General and Artistic Director of the IVC.

Singers can submit their application for the Preliminary Selections of the IVC Opera | Oratorio 2026 via the online portal. 
Apply Now

compulsory work 2026

Anne-Maartje Lemereis, Composer Laureate of the Netherlands, will provide the new commissioned work ‘Feathers’ specially for the 59th International Vocal Competition. This world premiere will be performed by all selected singers in the Main Rounds, underscoring the IVC’s commitment to fostering collaboration between composers and performers and to showcasing contemporary Dutch music on an international stage.

Title: Feathers (Veren)
Composer / Lyricist: Anne-Maartje Lemereis (*1989)
Duration: approx. 5 minutes

Instrumentation:
• voice & piano
• voice & symphony orchestra

Voice types and transpositions:
The work is available in three transpositions, covering seven voice types:
• Soprano / Tenor
• Mezzo-soprano / Countertenor / Alto
• Baritone / Bass

Languages: Dutch and English
Availability of sheet music: May 2026

Tradition of commissioned works
Since 2002, the IVC has commissioned a compulsory vocal work for each competition edition. Previous commissioned composers include:
Micha Hamel (2002), Rob Zuidam (2004), Robin de Raaff (2006), Roel van Oosten (2008), Wilbert Bulsink (2010), Jeppe Moulijn (2012), Willem Jeths (2014), Monique Krüs (2016), Sylvia Maessen (2018), Bart Visman (2021/2023).
In 2025, Karmit Fadael composed the compulsory work for the first edition of Theatre in Song.

Van Amelsvoort Prize
The Van Amelsvoort Prize (€2,500) will be awarded to the singer whom the jury considers the finest interpreter of the compulsory work by Anne-Maartje Lemereis.

The compulsory work will be performed by all 40 singers in the Main Rounds with piano accompaniment. From these performances, two singers will be nominated to perform the work during the Finals on 10 October 2026, accompanied by Philzuid under the direction of conductor Karen Kamensek.

Participants may choose to perform the work in either Dutch or English.

The Jury

Sir David Pountney
Opera Director, President of the Jury
David_Pountney_by_Emli_Bendixen
Natascha Ursuliak
Foto N.Ursuliak
Sir John Tomlinson
Bass
Sir John Tomlinson
Susanne Schmidt
Casting director Opera Vlaanderen
csm_jury-susanne-schmidt_a68642a511
Paul McNamara
Tenor, Artistic Leader, Dutch National Opera Academy
Paul McNamara_-_Photo Reinout_Bos
Manuela Ochakovski
International Soprano & Pedagogue
Manuela Ochakovski
Dieter Kaegi
General Director and Opera Director, Theater Orchester Biel Solothurn (TOBS)
Dieter Keagi. Photo Joel Schweizer
Tobias Hasan
Artistic Director Staatsoper Unter den Linden
Hasan_Tobias__c__Thomas_Bartilla_2024.
Dàmia Carbonell Nicolau
Head of Artistic Affairs, Dutch National Opera
Damia-Carbonell-Nicolau---crop-©-Jan-Willem-Kaldenbach
Susan Bullock
Soprano
2022_11_SusanBullock__c_FrancesMarshall3297
International Vocal Competition
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