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Application requirements Theatre in Song

Competition Dates 

Preliminary Selections 
Applications open: 5 May 2025 
Applications close: 23 June 2025 

Online interviews will be scheduled between 30 June and 7 July with a select number of candidates. Following these interviews, the finalists will be announced who are then invited to the competition in September 2025. 

Theatre in Song 
25 & 26 September 2025: Technical rehearsals participants 
27 & 28 September 2025: Final performances 

Venue: Theater aan de Parade – Pleinzaal (small hall) in ’s-Hertogenbosch 

Address: Parade 23, 5211 KL ’s-Hertogenbosch

The Process 

Digital registration consisting of completed programme and vocal extracts for selection of participants by IVC Jury and International presenters. 

A Competition period (Finals) in which the eight to ten concepts are presented to the public and from which prize-winners are chosen. Final presentations will be at Theater aan de Parade, ’s-Hertogenbosch. 

Total amount of prize money: € 32,500 

Theatre in Song offers international on-going professional engagements for these presentations as well as prize money. 

Travel reimbursement finalists: € 500 per presentation 

Accommodation at host families 

The competition 

  • 40 – 45-minutes programme of a curated programme demonstrating one comprehensive theme with at least 30 minutes of live singing. 
  • The programme is to feature the classical voice with or without accompaniment. The programme may be voice and piano, voice and one solo instrument or solo voice. 
  • The main feature of the programme is to be the classical voice and they are classed as Soprano, Mezzo-soprano, Contralto (Alto), Countertenor, Tenor, Baritone, Bass-baritone and Bass. 
  • Each programme must be given a title, and the programme should be curated to represent a theme, and this should be clear throughout the programme narrative.

Programme requirements 

  • Repertoire can be drawn for any art song compositions; the core art song repertoire of German Lieder and French mélodies may feature as part of this project but presented in a theatrical way together with new works and works that show an awareness of diversity. Operatic, oratorio and concert repertoire are not allowed. 
  • 40 – 45-minute curated programme demonstrating one comprehensive theme with at least 30 minutes of live singing. 
  • The programme should include at least 3 languages. 
  • Transcriptions and arrangements of songs are allowed. 
  • All songs must be sung from memory. All spoken texts must be performed from memory. Self-accompanying singers must perform from memory, or with sheet music without the vocal line.  
  • There are no set time periods from which repertoire can be chosen but applicants should present a broad spectrum of time periods. 
  • Each programme must demonstrate an awareness of diversity throughout either in terms of music or text. 
  • Participants compile their programme order themselves. The songs must be performed in the program sequence specified by the participants. 
  • The compulsory piece will be sung by all voices and for 2025 is composed by the Dutch Israeli composer Karmit Fadael. The song is for unaccompanied voice without text and should be used to reflect the theme as whole. Duration of the compulsory song is 2,5 minutes. Download the sheet music.  
  • Participants must clearly state their programmes, including name of composer (with year of birth and year of death, if applicable), title song, title song cycle, and performance time of each work 
  • It is allowed to perform a (partly) existing programme curated by the participants, it does not need to be a unique first performance (premiere).

Technical materials 

  • Steinway & Sons D grand piano is available (442Hz) on the stage 
  • Self-brought handheld props may be used in the performance. A simple chair and small table and can be provided on stage. 
  • A simple lighting plan and stage direction manual should be provided. 
  • It is possible to project video during the performance. 
  • No amplification of the singing voice nor speech is allowed. 
  • A specified technical list will be provided by the theatre: 
    www.theateraandeparade.nl/technische-gegevens 
  • It is not possible to bring your own crew. Participants are spokespersons themselves. Technical and stage management team will be provided by IVC. 

Criteria 

  • The Competition is open to professional singers and instrumentalists of all nationalities, who have completed their professional education or are currently in their final year and aim for a professional career or have an equivalent level of training. 
  • Age limit participants (singers and instrumentalists): Born on 29 September 1990 or later, max. 34 years old. Participants are not younger than 18 years. 
  • Applications can only be made via the competition’s website (ivc.nu). The application is only definite after the Participant has paid the application fee and submitted all required information and documentation correctly. 
  • In the application, the singer must submit two videos (via YouTube) featuring the instrumentalist with whom they intend to perform during the final rounds. The singer and instrumentalist are both considered participants in the competition. (Therefore, singers may not submit a video in the preliminary selections featuring a different instrumentalist from the one they will perform with during the final rounds in September.) 
  • Application fee: € 100 per registration (duo, or solo voice). No further entry fee payment is required after selection for the competition proper. 
  • Payment and inscription deadline for the Competition proper: 23 June 2025. 
  • The entry fee will not be refunded to Participants who withdraw from the Competition after acceptance.
Quick Links

Competition Dates

Process

Program Requirements

Technical Materials

Further Criteria

International Vocal Competition
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